Alex is a seasoned gamer and journalist who has covered London's gaming scene for over a decade.
An activist group has stated to have harvested a vast number of songs from Spotify and is getting ready to publish them publicly.
Industry experts said the seeming data breach could aid artificial intelligence firms looking for material to develop their technology.
An entity called Anna’s Archive said it had scraped 86 million audio tracks from Spotify and 256 million entries of metadata such as artist and album names. The company, which hosts more than 100 million tracks, stated that the leak did not represent its full catalog.
“We have located and deactivated the malicious user accounts that engaged in illegal scraping,” said a company spokesperson.
The Stockholm-based company, which has more than 700 million users worldwide, added that an investigation into unauthorised access found a third party scraped public metadata and used questionable tactics to bypass DRM [digital rights management].
The streaming service does not believe the music taken by Anna’s Archive has been made public yet. Anna’s Archive, which is known for providing links to pirated books, said in a blog it wanted to create a ‘historical repository’ for music.
They claimed the audio files accounted for 99.6% of all music streamed to by Spotify users and would be distributed via ‘torrents’, a method of sharing large digital files online.
“Naturally Spotify doesn’t have all the music in the world, but it’s a fantastic start,” said Anna’s Archive, which describes its purpose as “preserving humanity’s knowledge and culture”.
Ed Newton-Rex for defending artists’ rights, remarked the leaked music would probably be utilized for training artificial intelligence systems.
“Training on illegally sourced data is unfortunately common in the AI industry, so this stolen music is almost certain to end up instructing AI models,” he stated.
The group's website makes references to LibGen, a huge online repository of copyrighted books that has reportedly been leveraged by Meta to develop its systems.
The co-founder of an AI startup posted on the professional network that members of the public could in theory “create their own private free version of the service”. The executive added it could also enable technology firms to “train on contemporary music at a large volume”.
Copyright has emerged as a battleground between creatives, writers and creatives on one side and tech giants on the other.
Across Britain, artists and writers have raised concerns against a government suggestion to allow AI companies use copyright-protected work without consent unless the owner opts out. Almost every respondent to a government consultation on the proposal has supported artists’ apprehensions.
A government minister for technology, innovation and development told parliament this month there was “no clear consensus” on the matter, adding that ministers would “take the time to get this right”. The administration has committed to make regulatory plans on AI and copyright by March 2025.
Alex is a seasoned gamer and journalist who has covered London's gaming scene for over a decade.